Usually I don't review films that are more than 6 months old, but with "Super 8" I'm going to make an exception. I had really looked forward to watching this film as it is written and directed by J. J: Abrams and produced by Steven Spielberg, but it turned out to be almost impossible to get to watch it!
"Super 8" opened in theatres in June 2011 and made it to Denmark, where I live, on July 28th, 2011. That's all well and good, but the problem was that although it was shown in two different cinemas in my hometown, it disappeared almost immediately again. I only had one shot at it the day before the last show, but when I realised that the film didn't start until 9.30 p.m. - which meant that with its 112 minutes running time + commercials and trailers it wouldn't end until midnight - I gave up. At that point our local public transportation had stopped for the day and there was no way I was able to get back home, so I had to wait for the DVD.
The DVD was released in early 2012 and I expected to get it for my birthday, but I didn't. After that I forgot about it until recently when I spotted it in the local DVD store for only £4.95. I bought it straight away and watched it the same evening with my 13 year old daughter and we were both surprised at what we saw.
"Super 8" is not really horror and it's not really sci-fi, either, but a supernatural suspense film, telling the story of a bunch of kids who in the summer of 1979 shoot a super 8 film in a small town in Ohio. While filming, they witness a catastrophic train crash and shortly after people, dogs and electric appliances start to disappear from town. Something inexplicable and terrifying has been set in motion due to the train wreck and despite military opposition, the kids set out to solve the mystery.
When I watched the film, I guess what I had expected to see was a "mashup" of "The Blair Witch Project", "The Day of the Triffids" and John Carpenter's "The Fog". Instead I got a cross between "The Goonies" and "E.T." with a dash of "District 9". Furthermore it's a film that will appeal to mostly a young audience aged 10-12 despite the PG-13 rating.
When that is said, it's a charming little film, funny, moving and exciting, and the young cast acts so well. Joel Courtney as Joe Lamb - the young hero of the film - is believable, touching and very likeable. Elle Fanning as Alice Dainard is impressive, showing her wide range as an actress, and Riley Griffiths portraying Charles Kaznyk - a part that reminded me of a young Orson Welles - is confident, cool and a bit manic, like he should be. The rest of the kids are great, too. Of the adult cast especially Ron Eldard as Alice's father Louis Dainard stays in mind. His portray of a poor, disillusioned (and drunk) single parent is superb.
I can't say that I was disappointed in "Super 8" as it is a good film, but it was just so different from what I had expected. I guess what I liked the most about it was that over the film's credits, you actually get to see Charles' super 8 film "The Case", which the kids had been shooting during the entire film. That bit was hilarious and a very nice surprise.
Four out of five stars: **** (but only because my PC won't allow me to give it 3½ stars!)
Sunday, November 25, 2012
Saturday, November 17, 2012
Tankens bager
The songs on the EP are all more or less cut from the same cloth with traces of Danish folk-rock from the seventies. The songs are slow, dreamy, melancholy and very catchy and Claus Dencher's lead vocal reaches back to the Danish singer-songwriter sound of the seventies, subdued and sensitive. Mikkel Schacht-Petersen's lead guitar is both soft and sharp, Nicolai Dall Lorenzen's sax playful and the rhythm section consisting on Jesper Vang on bass and René Moeller Dehnfjeld on drums is a driving force, propelling the songs forward.
All songs are written by Claus Dencher except for "Laengsel" (Longing) that is written by Jesper Vang, and my favourite is probably "Redning" (Rescue) with its deep and somewhat droll lyrics. The lyrics to all of the songs are in Danish, by the way.
If you like poetic pop, this EP is a must. The only thing I'm not so keen on is that the songs end rather abruptly as if the band hasn't figured out yet how to end a song properly. But that's just a minor detail as all in all the EP "Tankens bager" is a little folk-pop gem.
For more info, you can visit the band's Facebook page: http://da-dk.facebook.com/pages/Tankens-Bager/179878572055234.
Tuesday, November 13, 2012
You, Me and a Cup of Tea
"You, Me and a Cup of Tea" is the title of an English coffee table book - or should I say tea table book? The book is a celebration of Tetley Tea's 175 anniversary and it is made in partnership with CLIC Sargent, the UK’s leading children and young people’s cancer charity.
This limited edition book is a collection of 175 stories from tea drinkers from across the UK including Tetley Tea employees, families affected by cancer, who have been supported by CLIC Sargent, and then a handful of British celebrities. To be honest, I didn't know very many of the celebrities, though, only Jane Asher, Derren Brown, Melanie C, Bryan Ferry, Katie Melua, James Phelps, Oliver Phelps and Alan Titchmarsh, but then again, I'm not British. Most of the stories are told by "ordinary people", anyway, sharing their "magical" tea memories as Tetley puts it.
When you read the book, the first thing that you'll notice is that this is just a 112 pages long Tetley tea ad. As such it is not a very good read and the main reason for buying this book would be to support CLIC Sargent, as proceeds from the sale of the book go to this charity.
The second thing you'll notice is that the "magical" memories are all more or less the same. You can divide them into only 9 categories, the categories being:
1. Tea consumed in connection with pregnancies/births
2. Drinking tea with friends/family
3. Having your husband/children bring you a cup of tea in bed
4. Drinking tea when being asked to become a bridesmaid/Godmother
5. Drinking tea with celebrities
6. Drinking tea in bad weather
7. Missing Tetley tea when you are abroad
8. Celebrating new careers with tea
9. Comforting yourself with tea after having received bad news
Statistically you'll find 19.4 stories in each category, although some categories are more frequent than others. The most frequent are stories about mothers and daughters who live in separate countries but stay in touch on Skype while drinking tea. It is pretty boring having to read the same kind of stories over and over again, but at least it's better than the so-called "poems" that some people have written about their special tea moment. These poems are all clumsy and embarrassing to put it mildly.
I must say that I'm rather surprised that the stories vary so little. One should think that when you ask the British nation to share their most special tea moments, you'd come up with something better than "I had a cuppa with my nan" or "we were drinking tea when my friend asked me to be her bridesmaid". It seems that people never do anything interesting while drinking tea, or maybe the people contributing just have very boring lives?
I would have thought that a strong tea-drinking nation like the UK would have had better stories to tell, but no. In fact I had a hard time coming up with some favourite stories from the book as they are all more or less the same, but in the end I found 3 stories that were a bit extraordinary. One is by Helen Brannagan who discovered that her blind son is able to distinguish contrast colours. Another is by Jonny McNee who tells about making his first cup of tea at the age of 19 - this guy can really write! And finally there is illusionist Derren Brown's contribution about why it's often a bad idea to meet your idols - this guy can write, too.
I guess with a book like "You, Me and a Cup of Tea", the idea is that you're not supposed to read it from cover to cover. It is after all a "tea table book", suited only to flick through and then maybe read a page here and there. And at least the book looks nice with lots of photos and a pretty layout, but it really could do with some proofreading. I've never seen so many typos in a single book before!
"You, Me and a Cup of Tea" can be ordered from www.tetley.com and it costs £7.99.
Three out of five stars: ***
This limited edition book is a collection of 175 stories from tea drinkers from across the UK including Tetley Tea employees, families affected by cancer, who have been supported by CLIC Sargent, and then a handful of British celebrities. To be honest, I didn't know very many of the celebrities, though, only Jane Asher, Derren Brown, Melanie C, Bryan Ferry, Katie Melua, James Phelps, Oliver Phelps and Alan Titchmarsh, but then again, I'm not British. Most of the stories are told by "ordinary people", anyway, sharing their "magical" tea memories as Tetley puts it.
When you read the book, the first thing that you'll notice is that this is just a 112 pages long Tetley tea ad. As such it is not a very good read and the main reason for buying this book would be to support CLIC Sargent, as proceeds from the sale of the book go to this charity.
The second thing you'll notice is that the "magical" memories are all more or less the same. You can divide them into only 9 categories, the categories being:
1. Tea consumed in connection with pregnancies/births
2. Drinking tea with friends/family
3. Having your husband/children bring you a cup of tea in bed
4. Drinking tea when being asked to become a bridesmaid/Godmother
5. Drinking tea with celebrities
6. Drinking tea in bad weather
7. Missing Tetley tea when you are abroad
8. Celebrating new careers with tea
9. Comforting yourself with tea after having received bad news
Statistically you'll find 19.4 stories in each category, although some categories are more frequent than others. The most frequent are stories about mothers and daughters who live in separate countries but stay in touch on Skype while drinking tea. It is pretty boring having to read the same kind of stories over and over again, but at least it's better than the so-called "poems" that some people have written about their special tea moment. These poems are all clumsy and embarrassing to put it mildly.
I must say that I'm rather surprised that the stories vary so little. One should think that when you ask the British nation to share their most special tea moments, you'd come up with something better than "I had a cuppa with my nan" or "we were drinking tea when my friend asked me to be her bridesmaid". It seems that people never do anything interesting while drinking tea, or maybe the people contributing just have very boring lives?
I would have thought that a strong tea-drinking nation like the UK would have had better stories to tell, but no. In fact I had a hard time coming up with some favourite stories from the book as they are all more or less the same, but in the end I found 3 stories that were a bit extraordinary. One is by Helen Brannagan who discovered that her blind son is able to distinguish contrast colours. Another is by Jonny McNee who tells about making his first cup of tea at the age of 19 - this guy can really write! And finally there is illusionist Derren Brown's contribution about why it's often a bad idea to meet your idols - this guy can write, too.
I guess with a book like "You, Me and a Cup of Tea", the idea is that you're not supposed to read it from cover to cover. It is after all a "tea table book", suited only to flick through and then maybe read a page here and there. And at least the book looks nice with lots of photos and a pretty layout, but it really could do with some proofreading. I've never seen so many typos in a single book before!
"You, Me and a Cup of Tea" can be ordered from www.tetley.com and it costs £7.99.
Three out of five stars: ***
Thursday, November 08, 2012
Treasury - Harry Potter's Universe
When first I heard about the exhibition, I thought, "Oh, no! This can't be good." I had imagined to see a lot of bric-a-brac and stuffed animals from the museum vault that had little or nothing to do with Harry Potter, but to be honest I was pleasantly surprised.
The exhibition consisted of three small rooms called "Professor Snape's potion workshop", "The Hogwart's Hall" and "The Forbidden Forest". The first room, the potion workshop, seemed rather empty, as there were only two display cases, one with different potions and potion remedies, the other with a bezoar, floo powder and dead animals in formaldehyde. Although the items were few, they were still pretty interesting.
The next room, "The Hogwart's Hall", was the biggest. Here you could see a lot of different items on display connected to the story of Harry Potter. There was a Nimbus 2000 broom, the wands of Harry, Hermione, Ron, Dumbledore and Voldemort, the Golden Snitch, The Philosopher's Stone, the head from HP3, the Mirror of Erised (although it didn't work properly), the Marauder's Map, different Weasley Wizard Wheezes products, Hermione's timetable, Lily Potter's letter to Sirius Black and a lot more.
Most of the stuff had no doubt been bought in either "The Wizarding World of Harry Potter" at Universal Orlando or at the "Warner Bros. Studio Tour London – The Making of Harry Potter", but still it was quite interesting and there was a lot to see.
The last room, the smallest, was "The Forbidden Forest". Here you'd find the stuffed animals that I had expected to see! A stuffed owl was said to be Hedwig, a rat was Scabbers (although it had all its toes), Pigwidgeon and Mrs. Norris were there as well and a dragon egg.
All in all I enjoyed the experience, especially the Hogwart's Hall, but Snape's workshop was okay, too. I also liked that "Hedwig's Theme" (played on harp) could be heard in every room. Very nice. The exhibition was too small, though, as you could hardly use half an hour there, so it was a good thing that the £5 entrance ticket provided access to the rest of the museum as well. That way I came to see four exhibitions of contemporary art, too!
"Treasure - Harry Potter's Universe" is open daily from 10 a.m. to 4 p.m. (except Mondays) and if you live in Denmark, I would recommend that you go see it, because let's face it. Denmark loves Harry Potter, but Harry Potter doesn't love Denmark. Up until now only the Weasley twins (Phelps twins) have graced our capital Copenhagen with their presence at the Danish premiere of Harry Potter 7, part 1 and then J. K. Rowling visited the Danish "Harry Potter capital" Odense when she received the Hans Christian Andersen Literature Award. Both visits were back in 2010. In my opinion, there is no way that the official "Harry Potter - The Exhibition" is ever going to reach Denmark, so the "Treasury - Harry Potter Universe" at the Funen Art Museum is probably the closest we'll get. The exhibition runs until December 2nd, 2012.
Saturday, November 03, 2012
Harry Potter Festival 2012
The Harry Potter Festival in Odense, Denmark, celebrated its 10th anniversary on October 18-21, 2012. I wasn't able to attend the festival myself as I was in England, attending a charity ball with some REAL Harry Potter stars, but that's a whole different story, which you can read about in my Harry Moseley Charity Ball blog post. Instead of me, my daughter went to the festival with her dad and she wasn't impressed.
The Harry Potter Festival in Odense used to be one of the best in the world, the kids going to Hogwarts and the entire city centre turning into a cross between Diagon Alley and Hogsmeade. Two years ago Hogwarts was closed, which was a really bad idea as it was the heart of the festival, but unfortunately Odense City and the main library, that organise the festival, have decided to stick to this folly, so Hogwarts was closed this year as well. Furthermore they had come up with another bad idea. The Town Square, where Diagon Alley used to be situated next to Hogwarts, Hagrid's hut, Snape's dungeon and the Forbidden Forrest, had been abandoned all together. Instead the Forbidden Forrest had been closed, Hagrid had been moved to a church in Jernbanegade (Station Street), Snape to the Funen Art Museum, Diagon Alley to Grey Friars Square and Hogsmeade to Vintapper Straede (Tapster Alley). Because of that, there was no physical core to the festival anymore and people had to run around town to find the different Harry Potter events, which was quite confusing according to my daughter.
Furthermore the festival had turned into a moneymaking machine. In "the old days" you had to pay a small fee to attend Hogwarts, but everything else was free. Nowadays you have to pay for most of what is happening and there's a strict age-limit to several of the events. Thursday the 8-12 year olds were thus able to ride the Hogwart's Express if they paid £7.50 for 75 minutes. Friday the 8-15 year olds could participate in a Harry Potter role play if they paid £12.50 for a couple of hours. And also Friday you could listen to Odense Symphony Orchestra play music from the Harry Potter films if you paid £10 for 90 minutes. Furthermore you had to pay £2.50 (which is an increase of 25%) to shop in Hogsmeade and Diagon Alley and you had to pay for food and drink in huge catering tents instead of getting it for free in The Leaky Cauldron and Madam Puddifoot’s Tea Salon. This way you could easily get to spend £50 per person in order to take part in the festival, which is quite over the top, I think.
Anyway, the Harry Potter Festival 2012 was the biggest ever, or so the papers said. 10,000 people attended it, but when my daughter was there Saturday - which is usually the busiest day as that is when the Harry Potter marked takes place - she only met a handful. She said that Diagon Alley (the marked) was more or less empty and there was hardly anything to look at except for Gringotts Wizarding Bank and St. Mungo's Hospital for Magical Maladies and Injuries.
She managed to locate Quality Quidditch Supplies as well, but that had been moved to Snape's former dungeon in the old town monastery away from the rest of Diagon Alley. The only good thing about that was that the shop is now closer to the Quidditch pitch, which is situated in the nearby Hans Christian Andersen Garden, locally known as the fairytale garden. As something new you could even try to fly a broom across Odense River, but my daughter didn't see anyone doing it as you had to pay for that, too.
All in all it's safe to say that my daughter won't be visiting the Harry Potter Festival next year and if it doesn't improve, I probably won't either. Although the festival attracts more and more people, Odense City and the library seem set on destroying the great concept they once had. Don't get me wrong. I think it's great that a larger area of the city is in use during the festival, but please choose locations close to each other, so that kids don't have to run around town on their own, and please bring the Harry Potter/Diagon Alley marked back to the Town Square and please, please, PLEASE reopen Hogwarts!!!
The Harry Potter Festival in Odense used to be one of the best in the world, the kids going to Hogwarts and the entire city centre turning into a cross between Diagon Alley and Hogsmeade. Two years ago Hogwarts was closed, which was a really bad idea as it was the heart of the festival, but unfortunately Odense City and the main library, that organise the festival, have decided to stick to this folly, so Hogwarts was closed this year as well. Furthermore they had come up with another bad idea. The Town Square, where Diagon Alley used to be situated next to Hogwarts, Hagrid's hut, Snape's dungeon and the Forbidden Forrest, had been abandoned all together. Instead the Forbidden Forrest had been closed, Hagrid had been moved to a church in Jernbanegade (Station Street), Snape to the Funen Art Museum, Diagon Alley to Grey Friars Square and Hogsmeade to Vintapper Straede (Tapster Alley). Because of that, there was no physical core to the festival anymore and people had to run around town to find the different Harry Potter events, which was quite confusing according to my daughter.
Anyway, the Harry Potter Festival 2012 was the biggest ever, or so the papers said. 10,000 people attended it, but when my daughter was there Saturday - which is usually the busiest day as that is when the Harry Potter marked takes place - she only met a handful. She said that Diagon Alley (the marked) was more or less empty and there was hardly anything to look at except for Gringotts Wizarding Bank and St. Mungo's Hospital for Magical Maladies and Injuries.
She managed to locate Quality Quidditch Supplies as well, but that had been moved to Snape's former dungeon in the old town monastery away from the rest of Diagon Alley. The only good thing about that was that the shop is now closer to the Quidditch pitch, which is situated in the nearby Hans Christian Andersen Garden, locally known as the fairytale garden. As something new you could even try to fly a broom across Odense River, but my daughter didn't see anyone doing it as you had to pay for that, too.
All in all it's safe to say that my daughter won't be visiting the Harry Potter Festival next year and if it doesn't improve, I probably won't either. Although the festival attracts more and more people, Odense City and the library seem set on destroying the great concept they once had. Don't get me wrong. I think it's great that a larger area of the city is in use during the festival, but please choose locations close to each other, so that kids don't have to run around town on their own, and please bring the Harry Potter/Diagon Alley marked back to the Town Square and please, please, PLEASE reopen Hogwarts!!!
Monday, October 29, 2012
Birmingham Museum and Art Gallery
The last time I was in Birmingham in the UK, I visited Birmingham Museum and Art Gallery. Since 2005 Birmingham has been my home away from home, but I had never been to the BMAG before which is quite strange as it's situated in the centre of the city, it's free and it's beautiful!
On street level you'll find the Gas Hall exhibition gallery housing temporary exhibitions, but when I was there, "Pharaoh: King of Egypt" had just closed, so I entered the building from Chamberlain Square and walked up the stone steps inside, where I was greeted by the charming Coronation Street mural.
Upstairs there's a reception where you can buy a visitor guide and map (advisable!) and then you reach the Round Room. This is probably my favourite room of the entire museum. The round, red walls boast paintings in three tiers including Walter Langley's "Never Morning Wore to Evening but Some Heart Did Break" and Henry Stacy Marks' "Dominicans in Feathers". The most spectacular thing in the Round Room is, however, the centrepiece: Jacob Epstein's sculpture "The Archangel Lucifer". This wonderful, ambiguous bronze sculpture from 1945 is in my opinion the most intriguing work of art in the entire museum, but you won't find it on postcards anywhere. On BMAG's virtual online tour of the museum it isn't quite there either, as the private parts of Lucifer is covered with leaves. Epstein used a female model for Lucifer's head, but a male model for the body, and the penis of the angel was thought quite obscene as it isn't one of the small ones you'll see on renaissance sculptures, but a normal sized one. There is a certain amount of sexuality stemming from the winged devil, not just because of that much talked about penis, but in Lucifer's face and posture, too. At the same time it depicts something both sly and beautiful and I think Epstein has really succeeded in portraying a fallen angel. I love this sculpture.
Turning to the right in the Round Room you walk through the gift shop and on to the Industrial Gallery which is another breathtaking room. With its skylight, wrought iron details and Soho sphinxes, this original part of the gallery is itself even more interesting than the items on display, which consist mostly of a collection of stain-glassed windows and different items of arts and crafts.
The Industrial Gallery leads to the Buddha Gallery, a whole room with sculptures and other images of Buddha. I found that very interesting as I had never seen a gallery in any other museum in the western world dedicated to Buddha. Wonderful. From the Buddha Gallery you reach the entrance to the Edwardian Tea Room, a beautiful room for sure, but the counter and the rather boring tables and chairs ruin it a bit. They make the room look what it is: the cafeteria of the museum.
Back in the Round Room instead of turning right, you can also go straight ahead through a room with Asian art to the rest of the museum. The main level of the museum has 33 galleries in all, so you can easily get lost. The artworks span from the Greeks and Romans over 14th to 19th century art to modern and contemporary works. The most famous works are probably BMAG's collections of Edward Burne-Jones paintings and then their Pre-Raphaelite collection. I must admit that Burne-Jones is not exactly my cup of tea, although I've always loved the Pre-Raphaelites. The rigidity and muddy colours in his paintings don't appeal to me, though, and to be honest, I found the Pre-Raphaelite collection a bit disappointing, too. I know it is one of the world's largest, but the paintings on display are not very interesting. To me only a few were really good, namely Arthur Hughes' "The Long Engagement"; William Holman Hunt's portrait of Dante Gabriel Rosetti and Dante Gabriel Rosetti's "Proserpine".
I have seen much better Pre-Raphaelite collections other places in the world, among them in Tate Gallery in London. While I visited the BMAG there was an exhibition of Victorian art from the Tate named "Love and Death" and it featured some of these works along with the best of BMAG's Pre-Raphaelite works. I was disappointed that the exhibition only consisted of about 20 paintings and a handful of drawings and etchings, but when that is said, the works themselves were amazing. Most of the paintings depicted love as a young, naked boy, who probably didn't seem as offensive in Victorian days as Epstein's Lucifer did in 1945, but today these images of love came across a bit paedophile to be honest! I had to snigger too, when I realised that most of the women on the paintings looked exactly like Helena Bonham Carter, especially Anthony Frederick Sandys' "Morgan Le Fay".
The main work was "The Lady of Shalott" by John William Waterhouse, which of course is brilliant, but other paintings attracted me even more, among them Waterhouse's "Saint Eulalia", Herbert James Draper's "The Lament for Icarus" and Sydney Harold Meteyard's "Hope Comforting Love in Bondage".
As most of these wonderful paintings aren't depicted on any of the BMAG store's postcards, I was glad that you were allowed to take photos without flash. The pics turned out a little dark, but it's better than nothing.
Other interesting exhibitions on the main level include "The Staffordshire Hoard" and "The Birmingham School of Art". In fact I found the latter much better than the Pre-Raphaelite collection!
On the top level of the museum, you'll find another 12 galleries, some of them covering ancient cultures, but half of them are dedicated to "Birmingham: it's people, it's history". I really liked that as it told the story of Birmingham in a very entertaining way, showing both items from everyday life and items of historic value. If you're interested in Birmingham, you really have to see it and especially a working model showing how guns were made was amazing along with the World War I and II exhibits.
All in all I spent 3 hours at the museum, but I could easily have spent 3 more, so if you plan to visit BMAG, be sure to have plenty of time. There's a lot to see, the building itself being one of the main attractions, and I'm sure I'll return to this museum not just once or twice, but over and over again.
On street level you'll find the Gas Hall exhibition gallery housing temporary exhibitions, but when I was there, "Pharaoh: King of Egypt" had just closed, so I entered the building from Chamberlain Square and walked up the stone steps inside, where I was greeted by the charming Coronation Street mural.
Upstairs there's a reception where you can buy a visitor guide and map (advisable!) and then you reach the Round Room. This is probably my favourite room of the entire museum. The round, red walls boast paintings in three tiers including Walter Langley's "Never Morning Wore to Evening but Some Heart Did Break" and Henry Stacy Marks' "Dominicans in Feathers". The most spectacular thing in the Round Room is, however, the centrepiece: Jacob Epstein's sculpture "The Archangel Lucifer". This wonderful, ambiguous bronze sculpture from 1945 is in my opinion the most intriguing work of art in the entire museum, but you won't find it on postcards anywhere. On BMAG's virtual online tour of the museum it isn't quite there either, as the private parts of Lucifer is covered with leaves. Epstein used a female model for Lucifer's head, but a male model for the body, and the penis of the angel was thought quite obscene as it isn't one of the small ones you'll see on renaissance sculptures, but a normal sized one. There is a certain amount of sexuality stemming from the winged devil, not just because of that much talked about penis, but in Lucifer's face and posture, too. At the same time it depicts something both sly and beautiful and I think Epstein has really succeeded in portraying a fallen angel. I love this sculpture.
Turning to the right in the Round Room you walk through the gift shop and on to the Industrial Gallery which is another breathtaking room. With its skylight, wrought iron details and Soho sphinxes, this original part of the gallery is itself even more interesting than the items on display, which consist mostly of a collection of stain-glassed windows and different items of arts and crafts.
The Industrial Gallery leads to the Buddha Gallery, a whole room with sculptures and other images of Buddha. I found that very interesting as I had never seen a gallery in any other museum in the western world dedicated to Buddha. Wonderful. From the Buddha Gallery you reach the entrance to the Edwardian Tea Room, a beautiful room for sure, but the counter and the rather boring tables and chairs ruin it a bit. They make the room look what it is: the cafeteria of the museum.
Back in the Round Room instead of turning right, you can also go straight ahead through a room with Asian art to the rest of the museum. The main level of the museum has 33 galleries in all, so you can easily get lost. The artworks span from the Greeks and Romans over 14th to 19th century art to modern and contemporary works. The most famous works are probably BMAG's collections of Edward Burne-Jones paintings and then their Pre-Raphaelite collection. I must admit that Burne-Jones is not exactly my cup of tea, although I've always loved the Pre-Raphaelites. The rigidity and muddy colours in his paintings don't appeal to me, though, and to be honest, I found the Pre-Raphaelite collection a bit disappointing, too. I know it is one of the world's largest, but the paintings on display are not very interesting. To me only a few were really good, namely Arthur Hughes' "The Long Engagement"; William Holman Hunt's portrait of Dante Gabriel Rosetti and Dante Gabriel Rosetti's "Proserpine".
I have seen much better Pre-Raphaelite collections other places in the world, among them in Tate Gallery in London. While I visited the BMAG there was an exhibition of Victorian art from the Tate named "Love and Death" and it featured some of these works along with the best of BMAG's Pre-Raphaelite works. I was disappointed that the exhibition only consisted of about 20 paintings and a handful of drawings and etchings, but when that is said, the works themselves were amazing. Most of the paintings depicted love as a young, naked boy, who probably didn't seem as offensive in Victorian days as Epstein's Lucifer did in 1945, but today these images of love came across a bit paedophile to be honest! I had to snigger too, when I realised that most of the women on the paintings looked exactly like Helena Bonham Carter, especially Anthony Frederick Sandys' "Morgan Le Fay".
The main work was "The Lady of Shalott" by John William Waterhouse, which of course is brilliant, but other paintings attracted me even more, among them Waterhouse's "Saint Eulalia", Herbert James Draper's "The Lament for Icarus" and Sydney Harold Meteyard's "Hope Comforting Love in Bondage".
As most of these wonderful paintings aren't depicted on any of the BMAG store's postcards, I was glad that you were allowed to take photos without flash. The pics turned out a little dark, but it's better than nothing.
Other interesting exhibitions on the main level include "The Staffordshire Hoard" and "The Birmingham School of Art". In fact I found the latter much better than the Pre-Raphaelite collection!
On the top level of the museum, you'll find another 12 galleries, some of them covering ancient cultures, but half of them are dedicated to "Birmingham: it's people, it's history". I really liked that as it told the story of Birmingham in a very entertaining way, showing both items from everyday life and items of historic value. If you're interested in Birmingham, you really have to see it and especially a working model showing how guns were made was amazing along with the World War I and II exhibits.
All in all I spent 3 hours at the museum, but I could easily have spent 3 more, so if you plan to visit BMAG, be sure to have plenty of time. There's a lot to see, the building itself being one of the main attractions, and I'm sure I'll return to this museum not just once or twice, but over and over again.
Wednesday, October 24, 2012
The Harry Moseley Charity Ball, 2012
The inaugural Harry Moseley Charity Ball took place at the ICC in Birmingham on October 19th, 2012.
With the help of solicitor/Big Brother star PJ Ellis, who was the brains behind the ball, I had secured myself a ticket and I made my way to the venue at 6.15 p.m.
Inside the ICC you had to take an escalator to the first floor where the charity ball took place. Here you were greeted with a champagne reception and the reception area soon filled up as the 1,260 paying guests arrived.
In the area different auction items were on display; signed football jerseys, Andy Warhol prints, Downton Abbey memorabilia and a lot more. Free Radio's HumFree the Hamster and the Hollywood Monster went around greeting the guests and the whole event was covered by OK! magazine.
Dinner was served at 7.15 and the ballroom looked beautiful with 126 round tables, each seating ten people, huge TV screens and a fantastic light display on stage. I was seated at a table right in front of the stage and I was in good company as most of the celebrities were seated in the same row.
From my table I could spot Olympic gymnast Kristian Thomas on my left, the Phelps twins on my right and football legends Ian Taylor and Michael Johnson behind me. The first course was already on the table: a vegetable spit with potato tureen and bread. I don't know what the "meat eaters" got instead of the vegetable spit, but it looked like chicken filet.
Russ Morris and Tom Ross from Free Radio were the hosts of the evening and when they had made their welcome speeches, PJ Ellis and Tim Andrews from Hollywood Monster went on stage to speak, too.
They both told how much they had been inspired by Harry Moseley, the young school boy who had suffered from a brain tumour, but went on and raised a lot of money for cancer research by selling home made bracelets, before he died of his disease. In fact each of the guests at the ball were given a bracelet made by black and "golden" beads and I proudly wore mine next to the claret and blue one that I bought off Harry before he died.
Harry's mother, Georgina Moseley, gave a speech too, telling about her personal loss and the meaninglessness of her life now that Harry is gone, her husband and two other children sitting in the front row, listening to her. A few of the ladies around me were in tears after the speech.
Even more people had to bring out their hankies, when a film about Harry was shown on the screens. It told the story of his life and several celebrities were interviewed as well. When footballer John Terry broke down and cried on screen, so did most of the audience!
The main course was served at 8.30 and the vegetarian version consisted of a couscous pie with spinach and green asparagus and a delicious red and yellow pepper sauce. Again I'm not sure what the "meat eaters" had, but it looked like some kind of spareribs. The dishes were accompanied by wine - there were four to six bottles on each table and on the VIP tables there was champagne, too. If you wanted something else, you could buy it from one of the two bars in the ballroom.
To get to the bar - and the ladies rooms - I had to pass Oliver Phelps, so of course I went over to say hi. I hadn't seen him for five months, so I got a hug and a handshake. He was in the company of his parents, his long term girlfriend Katy, his housemate David and his friend Geoff. In fact he had David as his dinner partner instead of Katy, which was a bit of a laugh. At the table he was joined by his twin brother James and James' girlfriend.
Anyway, like it is with these events, there were not enough toilets for the ladies, so a bunch of us ended up in the men's room, which was quite hilarious. I also got to talk to a very nice lady from Wolverhampton and I only wish I knew her name as I would like to thank her for being so kind!
Back in the ballroom it was time for the raffle prize draw. At each place setting there had been an envelop in which you were to put £10 and write your name and table number in order to participate in the raffle. There were 30 prizes in all, the first prize being an ultimate Birmingham weekend donated by the Hyatt Regency and the second prize being a diamond necklace worth £1,500. Of course it was a man who won the necklace!
The raffle prize draw was followed by desserts and a live auction. The dessert consisted of ice cream with chocolate sauce and caramel cake with whipped cream and strawberries. Very tasty. The live auction was solely for the very rich, though. The eight auction items were a day on a luxurious motor yacht, a six-night all inclusive cruise in the south of France, a week for fourteen in a ski chalet in La Place, a golf day at David Gold's private golf course, a photograph in OK! magazine, dinner for six cooked by chef Glynn Purnell and finally a framed Harry Moseley bracelet. The bids were high, especially on the dinner and the bracelet, in fact the bracelet went for £5,000 in the end. That made me wonder how much my own claret and blue bracelet is worth as it was made by Harry himself, too!
After the auction we had coffee while the very talented Beverly Knight went on stage to perform a string of songs. She was very good and very popular, as she is more or less a "local girl", her being from Wolverhampton. We all enjoyed her performance very much.
When Beverly Knight went off stage, the silent auction ended. All the time during the evening a silent auction had been going on, people being able to bid on various items through the iPads that were placed on the tables. The auction ended at 11.30 p.m. where Georgina Moseley was handed a check of £110,000 which was the amount that people had spent that evening. Quite overwhelming. Actor Adam Rickitt from Coronation Street entered the stage as well to take part in the presenting of the check.
The last two hours of the evening, the ball took off with a disco. Kristian Thomas and Oliver Phelps were some of the first on the surprisingly small dance floor, whereas Oliver's brother James preferred to slow dance with his girlfriend among the tables.
I spent quite a lot of time on the dance floor myself - I even danced with that nice lady from Wolverhampton and her husband! - but I had time to say hi to PJ Ellis and have my photo taken as well.
At 1.20 a.m. coaches arrived at the ICC to take the guests to an afterparty on the 25th floor of The Cube. The afterparty lasted until 5 a.m., but I must admit that I didn't! Luckily my hotel was situated only 300 meters away so it was easy for me to get back.
All in all the Harry Moseley Charity Ball was a wonderful event, in fact I was told it had been the best charity event in Birmingham ever! Thank you Peter (PJ) Ellis, Oliver Phelps and that lady from Wolverhampton for making the evening special for me, too. And thank you Harry Moseley. Your life was short, but inspirational. RIP. You won't be forgotten.
With the help of solicitor/Big Brother star PJ Ellis, who was the brains behind the ball, I had secured myself a ticket and I made my way to the venue at 6.15 p.m.
Inside the ICC you had to take an escalator to the first floor where the charity ball took place. Here you were greeted with a champagne reception and the reception area soon filled up as the 1,260 paying guests arrived.
In the area different auction items were on display; signed football jerseys, Andy Warhol prints, Downton Abbey memorabilia and a lot more. Free Radio's HumFree the Hamster and the Hollywood Monster went around greeting the guests and the whole event was covered by OK! magazine.
From my table I could spot Olympic gymnast Kristian Thomas on my left, the Phelps twins on my right and football legends Ian Taylor and Michael Johnson behind me. The first course was already on the table: a vegetable spit with potato tureen and bread. I don't know what the "meat eaters" got instead of the vegetable spit, but it looked like chicken filet.
They both told how much they had been inspired by Harry Moseley, the young school boy who had suffered from a brain tumour, but went on and raised a lot of money for cancer research by selling home made bracelets, before he died of his disease. In fact each of the guests at the ball were given a bracelet made by black and "golden" beads and I proudly wore mine next to the claret and blue one that I bought off Harry before he died.
Harry's mother, Georgina Moseley, gave a speech too, telling about her personal loss and the meaninglessness of her life now that Harry is gone, her husband and two other children sitting in the front row, listening to her. A few of the ladies around me were in tears after the speech.
The main course was served at 8.30 and the vegetarian version consisted of a couscous pie with spinach and green asparagus and a delicious red and yellow pepper sauce. Again I'm not sure what the "meat eaters" had, but it looked like some kind of spareribs. The dishes were accompanied by wine - there were four to six bottles on each table and on the VIP tables there was champagne, too. If you wanted something else, you could buy it from one of the two bars in the ballroom.
To get to the bar - and the ladies rooms - I had to pass Oliver Phelps, so of course I went over to say hi. I hadn't seen him for five months, so I got a hug and a handshake. He was in the company of his parents, his long term girlfriend Katy, his housemate David and his friend Geoff. In fact he had David as his dinner partner instead of Katy, which was a bit of a laugh. At the table he was joined by his twin brother James and James' girlfriend.
Anyway, like it is with these events, there were not enough toilets for the ladies, so a bunch of us ended up in the men's room, which was quite hilarious. I also got to talk to a very nice lady from Wolverhampton and I only wish I knew her name as I would like to thank her for being so kind!
Back in the ballroom it was time for the raffle prize draw. At each place setting there had been an envelop in which you were to put £10 and write your name and table number in order to participate in the raffle. There were 30 prizes in all, the first prize being an ultimate Birmingham weekend donated by the Hyatt Regency and the second prize being a diamond necklace worth £1,500. Of course it was a man who won the necklace!
The raffle prize draw was followed by desserts and a live auction. The dessert consisted of ice cream with chocolate sauce and caramel cake with whipped cream and strawberries. Very tasty. The live auction was solely for the very rich, though. The eight auction items were a day on a luxurious motor yacht, a six-night all inclusive cruise in the south of France, a week for fourteen in a ski chalet in La Place, a golf day at David Gold's private golf course, a photograph in OK! magazine, dinner for six cooked by chef Glynn Purnell and finally a framed Harry Moseley bracelet. The bids were high, especially on the dinner and the bracelet, in fact the bracelet went for £5,000 in the end. That made me wonder how much my own claret and blue bracelet is worth as it was made by Harry himself, too!
After the auction we had coffee while the very talented Beverly Knight went on stage to perform a string of songs. She was very good and very popular, as she is more or less a "local girl", her being from Wolverhampton. We all enjoyed her performance very much.
When Beverly Knight went off stage, the silent auction ended. All the time during the evening a silent auction had been going on, people being able to bid on various items through the iPads that were placed on the tables. The auction ended at 11.30 p.m. where Georgina Moseley was handed a check of £110,000 which was the amount that people had spent that evening. Quite overwhelming. Actor Adam Rickitt from Coronation Street entered the stage as well to take part in the presenting of the check.
The last two hours of the evening, the ball took off with a disco. Kristian Thomas and Oliver Phelps were some of the first on the surprisingly small dance floor, whereas Oliver's brother James preferred to slow dance with his girlfriend among the tables.
I spent quite a lot of time on the dance floor myself - I even danced with that nice lady from Wolverhampton and her husband! - but I had time to say hi to PJ Ellis and have my photo taken as well.
At 1.20 a.m. coaches arrived at the ICC to take the guests to an afterparty on the 25th floor of The Cube. The afterparty lasted until 5 a.m., but I must admit that I didn't! Luckily my hotel was situated only 300 meters away so it was easy for me to get back.
All in all the Harry Moseley Charity Ball was a wonderful event, in fact I was told it had been the best charity event in Birmingham ever! Thank you Peter (PJ) Ellis, Oliver Phelps and that lady from Wolverhampton for making the evening special for me, too. And thank you Harry Moseley. Your life was short, but inspirational. RIP. You won't be forgotten.
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