The 13th Harry Potter Festival
in Odense, Denmark, took place Friday the 16th and Saturday the 17th
of October. Odense Central Library, Odense Municipality and Odense City
arranged the festival that usually lasts a full week, but not this year.
Sunday, October 18, 2015
Harry Potter Festival 2015
Wednesday, October 14, 2015
Maze Runner: The Scorch Trials
“Maze Runner: The Scorch Trials” or “Maze
Runner 2” as it is commonly known, is Wes Ball’s screen versions of James
Dasher’s second novel in his young-adult, post-apocalyptic, science fiction
“The Maze Runner” book series. My teenage daughter accompanied me to the cinema
to see this 132 minutes long, PG-13 rated film like she had done last year with
the first Maze Runner-film, but this time our roles were reversed. Where she
had loved the first one and I had been a little reserved, I loved this sequel
whereas she was not impressed.
The story begins where we left the six
surviving Gladers in the first film, in a helicopter on the way away from the
maze. The six, Thomas (Dylan O'Brien), Minho (Ki Hong Lee), Teresa (Kaya
Scodelario), Newt (Thomas Brodie-Sangster), Frypan (Dexter Darden) and Winston
(Alexander Flores) arrive at a mysterious facility run by Mr. Janson (Aidan
Gillen) in the deserted outside world called the Scorch. Here Thomas makes a
horrifying discovery with his new friend Aris (Jacob Lofland), so our young
heroes escape the facility and have to survive the trials of the Scorch in the
attempt to reach the resistance group The Right Arm in the mountains. The
trials include troops from the powerful organization WCKD run by Ava Paige
(Patricia Clarkson), the zombifying Flare virus, the Cranks who are people
zombified by the Flare and then of course thunderstorms, drugs and bounty hunters!
On their way, they meet Brenda (Rosa Salazar) and Jorge (Giancarlo Esposito)
who help them along and there is a wonderful although short appearance by Lili
Taylor as Mary.
I found this second instalment in The Maze
Runner film series much more thrilling and action-packed than the first and to
me there wasn’t a dull moment. I also really liked the acting of especially
Giancarlo Esposito and Thomas Brodie-Sangster and to be honest there was hardly
anything I didn’t like. Maybe our young hero Thomas has become a bit too heroic
and too much of a superman and maybe the title “The Scorch Trials” is a bit misleading
as the youngsters seem to spend less time in The Scorch than elsewhere and the
trials are few and repetitious, but these are minor objections. I guess what
annoyed me the most was that the zombified Cranks were able to screech and run
very fast. I am from a time when zombies only groaned and walked very slow so
you could always outrun them, but that is not the case anymore, my daughter
assured me. And that brings us back to why our roles as viewers were reversed
this time.
You see, the first film “The Maze Runner”
was more or less a rip-off of “Lord of the Flies”, Nobel Prize-winning William
Golding’s brilliant 1954-novel that has been filmed several times. I know and
love this book (and the early film version), but my daughter does not and that
made “The Maze Runner” new and exciting to her. “Maze Runner: The Scorch
Trials” on the other hand is a rip-off of the American TV-series “The Walking
Dead” (2010- ) of which my daughter is an avid fan, but as I have never seen it,
the Maze Runner sequel was exciting to me.
I’m not sure if it is a good idea to
rip-off other people’s work instead of stay true to your source, but that is
what Wes Ball does in this film. The action has very little to do with the plot
in James Dasher’s novel, but a lot to do with “The Walking Dead”. It is up to
you if you take this as a warning or a recommendation. It worked for me, so
I’ll give “Maze Runner: The Scorch Trials” three and a half out of five stars: ***½.
Tuesday, September 01, 2015
OFF15 – Odense International Film Festival
This year Odense International Film
Festival celebrated its 40th anniversary. On the 24. – 30. August international
short films and animated shorts could be seen for free in the two cinemas at
Café Biografen here in Odense, Denmark, and people came from all over the world
to take part. I remember when there used to be documentaries in the film
festival competitions as well, but not anymore, so this year we had to make do
with only three competition categories, namely the main category, animated
shorts and Danish short films. Still, more than 101 short films from 36
different countries competed and many other activities took place during the
festival.
In past years I have complained about it
being impossible to get a seat at the screenings, as only schools were able to
book seats, and not the general audience or press. As the two cinemas only seat
50 to 100 people each, the general audience was therefore turned away at the
door, if schools had booked, which was rather annoying, especially if you’d
been hired to review the films! This year everyone was able to book seats in
advance, though, so I got to see what I wanted and I even had my daughter with
me for two of the screenings.
There were many good short films and
animations this year and here are the winners:
Winners
of the main competition: The International Grand
Prix (The HCA Award): “Over” by Jörn Threlfall, England. The International Storyteller Award: “Leidi”
by Simon Mesa Soto, Colombia. The International Artist Award: “Rearranged” by
Ewa Górzna, Finland. Special Mention: “Discipline” by Christophe M. Saber,
Switzerland.
Winners of the Danish competition: The Danish Grand Prix: “Mommy” Milad Alami, Sweden/Denmark. FilmFyn Talent Award: “Our Fathers’ Sons” by Ulaa Salim, Denmark.
Winners of the animation competition: Boerge Ring Award: ”Dinner for few” by Nassos Vakalis, USA. Animation Talent Award: “No man’s land” by David Adler, Denmark
Other winners: The Audience Award: “Our Fathers´ Sons” by Ulaa Salim, Denmark. The Youth Film Award: “Antiman” by Gavin Ramoutar, Guyana. The Robert short film Award: “Mommy” by Milad Alami, Denmark.
Winners of the Danish competition: The Danish Grand Prix: “Mommy” Milad Alami, Sweden/Denmark. FilmFyn Talent Award: “Our Fathers’ Sons” by Ulaa Salim, Denmark.
Winners of the animation competition: Boerge Ring Award: ”Dinner for few” by Nassos Vakalis, USA. Animation Talent Award: “No man’s land” by David Adler, Denmark
Other winners: The Audience Award: “Our Fathers´ Sons” by Ulaa Salim, Denmark. The Youth Film Award: “Antiman” by Gavin Ramoutar, Guyana. The Robert short film Award: “Mommy” by Milad Alami, Denmark.
My personal favourite film was the crazy,
hilarious “Very Lonely Cock”, which was only represented in the animation
category and didn’t win a thing. In fact, none of the films that I liked won
anything, as the ones that won were most often very bleak, harsh and violent,
dealing with heavy social problems. To me it felt as if the juries of the
competitions had completely forgotten that this is a film festival for fantastic
short films; at least they didn’t reward fantasy, magic and imagination at all.
Had I been in the jury, I would have picked
“Splintertime” by Mr. Rosto, Belgium/France/Netherlands, as the winner of the
main competition. I would have had “All Your Favourite Shows!” by Danny Madden,
USA, winning the Storyteller Award, “Seven times a day we bemoan our lot and at
night we get up to avoid dreaming” by Susann Marie Hempel, Germany, winning the
Artists Award and “Klementhro” by Sue Dunham, Canada, getting a special
mention. As for the Danish competition, I think it should have been won by “Whole”
by William Reynish with “Fibers” by Nynne Steen Mors winning the talent award. As
winners of the animation competition, I would have picked “Very Lonely Cock” by
Leonid Shmelkov, Russia, with “Aubade” by Mauro Carraro, Switzerland, winning
the talent award. Finally, I would have loved if “La Fleche Delta” by Francesco
Vecchi, France/Italy, “Benedito Machine V – Pull the Trigger” by Jossie Malis,
Spain and “Vagabond” by Pedro Carvalho, Denmark or “Tsunami” by Sofie Kampmark,
Denmark, had won the additional awards.
The magic lacked in the award winning films
this year, but I found it elsewhere, especially in OFF Junior and the Focus
Programmes. The Focus Programmes consisted of “everything else” that was going
on in connection with OFF, like screenings of old silent movies, open air feature
films (like “The Rocky Horror Picture Show”, “2001 – A Space Odyssey” and
“Birdman” to mention a few), talks with directors and actors, dance, yoga,
concerts, food etc. OFF Junior on the other hand was the screening of
children’s short films, feature films and TV series. I went to see the OFF
Junior programme “Best OFF Buster 3+”, but when I reached the cinema, so many
schools with 8 and 9 year old children had booked seats that the venue had
decided to alter the screening to a programme for kids who were 8+ instead of
3+. When I told the staff that I’d booked a seat in order to write about the 3+
programme, he (there was only one!) quickly found another venue in the nearby
Student House where he screened the programme for me. A few parents with young
kids tagged along and we had a great time as the kids could sit/lie on pillows
on the floor. The four animated shorts were great as well, especially the funny
and surprising “Pawo” by Antje Heyn, Germany, and the cute and beautiful “The
Tie” by An Vrombaut, Belgium. The kids seemed to go for “The Little Bird and
the Squirrel” by Lena von Döhren, Switzerland, though.
Anyway, I found the service of the young
guy in the staff who arranged this special screening quite magic. Thank you so
much! I’ll be back next year, when it’s my 30th anniversary as a film critic!
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